The Curator

The Curator

The Curator

Deesha Lapasia (b. 1998, Mumbai) is an Indian artist and curator based in Baltimore. Her practice is deeply informed by her lived experiences of working and collaborating with artists and art institutions in Mumbai, India. She has in her career engaged with leading practitioners across painting, collage, sculpture, and photography from India. With dual Master’s degrees in History and Philosophy from University of Mumbai, she approaches contemporary, visual, conceptual, and public art through both historical and philosophical lenses. Her ongoing journey involves unlearning inherited biases while developing an aesthetic that is exploratory, critical, and deeply personal.


Deesha is building curatorial frameworks that foreground experimental practices, memory, materiality, and the ethics of display. She is particularly invested in conceptual art, performance, and the aesthetics of space—examining how exhibition-making can become a site of intimacy, critical reflection, and experimentation. Her current projects focus on alternative modes of display and care, the ephemerality of exhibitions, and the poetics of space, with a particular attentiveness to sustainability, memory, and the archive.

Deesha Lapasia (b. 1998, Mumbai) is an Indian artist and curator based in Baltimore. Her practice is deeply informed by her lived experiences of working and collaborating with artists and art institutions in Mumbai, India. She has in her career engaged with leading practitioners across painting, collage, sculpture, and photography from India. With dual Master’s degrees in History and Philosophy from University of Mumbai, she approaches contemporary, visual, conceptual, and public art through both historical and philosophical lenses. Her ongoing journey involves unlearning inherited biases while developing an aesthetic that is exploratory, critical, and deeply personal.


Deesha is building curatorial frameworks that foreground experimental practices, memory, materiality, and the ethics of display. She is particularly invested in conceptual art, performance, and the aesthetics of space—examining how exhibition-making can become a site of intimacy, critical reflection, and experimentation. Her current projects focus on alternative modes of display and care, the ephemerality of exhibitions, and the poetics of space, with a particular attentiveness to sustainability, memory, and the archive.

Deesha Lapasia (b. 1998, Mumbai) is an Indian artist and curator based in Baltimore. Her practice is deeply informed by her lived experiences of working and collaborating with artists and art institutions in Mumbai, India. She has in her career engaged with leading practitioners across painting, collage, sculpture, and photography from India. With dual Master’s degrees in History and Philosophy from University of Mumbai, she approaches contemporary, visual, conceptual, and public art through both historical and philosophical lenses. Her ongoing journey involves unlearning inherited biases while developing an aesthetic that is exploratory, critical, and deeply personal.


Deesha is building curatorial frameworks that foreground experimental practices, memory, materiality, and the ethics of display. She is particularly invested in conceptual art, performance, and the aesthetics of space—examining how exhibition-making can become a site of intimacy, critical reflection, and experimentation. Her current projects focus on alternative modes of display and care, the ephemerality of exhibitions, and the poetics of space, with a particular attentiveness to sustainability, memory, and the archive.

The Wrong Biennale

The Wrong Biennale

The Wrong Biennale

The Wrong Biennale is a decentralized global art biennale born on the internet — a constellation of digital pavilions, virtual exhibitions, and temporary worlds. Founded in 2013, it reimagines what a biennale can be: borderless, collaborative, and in constant flux.

The upcoming 7th edition entitled “The Wrong Returns” focuses on the artistic dimensions of artificial intelligence. It features work by 16oo+ artists, selected by 18o+ curators, showcased in 1oo+ pavilions and embassies. Taking place from November 1st, 2o25, to March 31st, 2o26.

The Wrong Biennale is a decentralized global art biennale born on the internet — a constellation of digital pavilions, virtual exhibitions, and temporary worlds. Founded in 2013, it reimagines what a biennale can be: borderless, collaborative, and in constant flux.

The upcoming 7th edition entitled “The Wrong Returns” focuses on the artistic dimensions of artificial intelligence. It features work by 16oo+ artists, selected by 18o+ curators, showcased in 1oo+ pavilions and embassies. Taking place from November 1st, 2o25, to March 31st, 2o26.

The Wrong Biennale is a decentralized global art biennale born on the internet — a constellation of digital pavilions, virtual exhibitions, and temporary worlds. Founded in 2013, it reimagines what a biennale can be: borderless, collaborative, and in constant flux.

The upcoming 7th edition entitled “The Wrong Returns” focuses on the artistic dimensions of artificial intelligence. It features work by 16oo+ artists, selected by 18o+ curators, showcased in 1oo+ pavilions and embassies. Taking place from November 1st, 2o25, to March 31st, 2o26.

Screensaver for a Dying World is a pavilion for The Wrong Biennale 2025–2026 

curated by Deesha Lapasia

Screensaver for a Dying World is a pavilion for The Wrong Biennale 2025–2026 

curated by Deesha Lapasia

Screensaver for a Dying World is a pavilion for The Wrong Biennale 2025–2026

curated by Deesha Lapasia

Email: deadartcurator@gmail.com

Email: deadartcurator@gmail.com

Email: deadartcurator@gmail.com

Website: deadartmuseumblog.wordpress.com

Website: deadartmuseumblog.wordpress.com

Website: deadartmuseumblog.wordpress.com